PRASHANT PANJIAR photography
Malkhan - The story of a Bandit King
This self financed book project, in collaboration with writers Kalyan Mukherjee & Brij Raj Singh, was published by Lancers International in 1985. The work has been exhibited in group shows at
La Virriena Centre de la Imatge, Barcelona, 2009
ATRIUM, Centro-Museo Vasco de Arte Contemporaaneo, Vitoria, Spain 2010
Whitechapel Gallery, London, 2010
Fotomuseum, Winterthur, Switzerland
The Chambal valley, in Central India, is caged in ravines and the waters of the Chambal, Yamuna, Kunwari, Sind and Pahuj rivers. It’s here that a fiercely traditional society resides with a long feudal history, placing high value on honour, valour, macho pride and vengeance. Moustaches and guns abound in this traditional badland.
Cut off from the law, peasant intransigence here breeds a certain man: the inheritor of superstitions, loyal to the customs of his land and quick to avenge injustice. This is the bandit ‘Dacoit’ who prefers to call himself a rebel ‘Baghi’. Malkhan Singh from Bilao, the ‘wildcat’ village, was one such man. A lower caste Mirdha, he became an outlaw in 1976 to seek vengeance against his tormentor - an upper caste Brahmin.
In 1981 when I started work on our self-financed book project, with writers Kalyan Mukherjee & Brij Raj Singh, Malkhan Singh had already been crowned Bandit King ‘Dasyu Samrat’ by the major gangs. Since our work focused on social banditry in the Chambal we needed to meet an existing dacoit gang, to complete our research. It took almost nine months of pursuing Malkhan before he finally agreed to meet us, at a time when he was contemplating surrender. We became instrumental in this process - our access to the gang becoming an unsaid quid pro quo for agreeing to help with the negotiations and our presence a guarantee for their safety. Our book changed. It was finally published as “Malkhan – The Story of a Bandit King”.
Malkhan and his gang members are now free men, having served their jail terms. Malkhan Singh is presently involved in politics.
– Prashant Panjiar
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